Pandangan Masyarakat Banjar Terhadap Kesenian Hadrah di Kalimantan Selatan

Berliana Safitri; Lu'lu Nur Rahmah Azzuhrah; Sefty Marhamah

Penulis

Berliana Safitri Universitas Lambung Mangkurat
Lu'lu Nur Rahmah Azzuhrah Universitas Lambung Mangkurat
Sefty Marhamah Universitas Lambung Mangkurat

Abstrak

Hadrah holds deep roots in the daily lives of the Banjar community, serving not only as a form of entertainment but also as a means to express spiritual and religious values. This research is a qualitative study conducted through library research, utilizing books and other literature as primary sources. The findings reveal that for the Banjar community, Hadrah artistry is a cultural heritage imbued with profound significance. Amidst the dazzle of performances, Hadrah transcends mere entertainment, serving as a vessel to draw closer to Allah SWT and offer praise to Prophet Muhammad SAW. The Banjar community's perspective on Hadrah artistry is often influenced by their strong cultural and religious values. For them, Hadrah is not just a form of performance art but also a spiritual ritual with profound meaning. They view Hadrah as a form of worship that brings them closer to God, as its music, movements, and poetic verses are believed to bestow blessings and tranquility upon both performers and audiences.

Referensi

Al Muhasibi, A. M., Hafiz Anshori. (2024). Analisis Historis Tradisi Sinoman Hadrah Di Kecamatan Haur Gading. Jurnal Teologi: Teologi, Vol. 1 No. 2: 10-19.

Arief, M. I., Husin, G. M. I., & Ainah, N. Islamic Studies Contemporary Issues.

Arif, Muhamad., Jakiatin Nisa. (2018). Komodifikasi Agama Pada Kesenian Hadrah Kuntulan Banyuwang. SOSIO DIDAKTIKA: Social Science Education Journal, Vol. 5 No. 1: 54-63.

Arifninetrirosa, (2005). Pemeliharaan Kehidupan Budaya Kesenian Tradisional dalam Pembangunan Nasional. Medan: USU Repository Universitas Sumatera Utara.

Ayuningtyas, A. R. (2018). Hadrah Sebagai Media Dakwah Dalam Meningkatkan Semangat Aktivitas Keagamaan Remaja Desa Sidodadi Kecamatan Pardasuka Pringsewu. Skripsi (Doctoral dissertation, UIN Raden Intan Lampung).

Ihromi, Ihda, et al. "Filsafat dan sejarah pemikiran islam." (2019).

Koentjaraningrat, (2009). Pengantar Ilmu Antropologi. Jakarta: Rineka Cipta.

Minarto, Soerjo Wido, (2007). Jaran Kepang Dalam Tinjauan Interaksi Sosial Pada Upacara Ritual Bersih Desa. Bahasa Dan Seni, Vol. 35 No. 1: 76-87.

Norhalimah, N., Nordiana, T., & Mahendra, B. Perkembangan Penyajian Tari Sinoman Hadrah di Desa Pulantan Kabupaten Banjar. Pelataran Seni, Vol. 5 No. 2: 119-135.

Rohima, Najwa. (2023). Kesenian Tradisional Sinoman Hadrah Khas Suku Banjar Di Kalimantan Selatan Sebagai Sumber Belajar IPS. Seri Publikasi Pembelajaran, Vol. 1 No. 1: 1-11.

Takari, Muhammad. (2008). Masyarakat Kesenian di Indonesia. Medan: Studia Kultura Fakultas Sastra Universitas Sumatera Utara.

Tindarika, Regaria. (2021). Kesenian Hadrah Sebagai Warisan Budaya Di Kota Pontianak Kalimantan Barat. AKSARA: Jurnal Ilmu Pendidikan Nonformal, Vol. 7 No. 3: 907-926.

Wahyuddin, W., Fidzi, R., & Husin, G. M. I. (2022). Hubungan Antara Keberagamaan Islam Dengan Etos Ekonomi Pada Masyarakat Di Daerah Industri Tambang Batu Licin Kalimantan Selatan.

Wati, D. (2018). Seni Hadrah Sebagai Media Dakwah Di Desa Rejo Agung Kecamatan Tegineneng Kabupaten Pesawaran. Thesis (Doctoral dissertation, IAIN Metro).